Alexandra Pirici (b. 1982, Bucharest, Romania) uses sculpture, performance, and choreography to address symbolic manifestations of history through frameworks that define bodily presence in both real and virtual space.

Pirici’s new work, Co-natural (2018), is an ongoing action with live performers and a holographic image. The work considers the increasing fragmentation of presence and self, enabled by digital technologies, financialization, and, more broadly, by modernity’s division of nature from culture, body from mind or spirit, and individual from collective. Co-natural attempts to enact a dispersion of bodily presence, commenting on contemporary processes of abstraction that separate sign from substance and image from material support. Yet the work also mines this fragmentation for its potential to create a different idea of the self, one distributed across time, space, bodies, history, and memory.

Read more


Effigies of Life, A Tribute to Magdalena Abakanowicz (1930 – 2017)


European ArtEast Foundation’s first project was Effigies of Life, A Tribute to Magdalena Abakanowicz (1930 – 2017). Featuring over 120 works across multiple museums, venues and outdoor public locations in Wroclaw, Poland, in summer 2017, the retrospective exhibition was curated by Maria Rus Bojan and Mariusz Hermansdorfer, the former director of Wroclaw’s National Museum. A catalogue accompanies this exhibition.


Magdalena Abakanowicz Catalogue Raisoneé


Magdalena Abakanowicz (b. 1930, Falenty, Poland, d. 2017, Warsaw, Poland) was a leading Eastern-European avant-garde artist, notable for her use of textiles as a sculptural medium. The Foundation is supporting the production of her catalogue raisoneé, joining the efforts of the artist's husband Jan Kosmowski in creating a comprehensive index of works across private and public collections.